// BarryBlog //

A creative dumping ground for issues that interest me personally and professionally, with the thought they may interest you too. Issues such as the business of design, the design of business, the design of objects, design strategy, creative direction, innovation, creativity, thought leadership, observations, as well as recommendations, mid-century modern decorative arts and architecture, and the state of my thinking (and currently the state of my heart).

Tuesday, June 10, 2008

Tuesday at NEOCON: Kid In A Candy Shop

Most graphic designers I know attend design seminars and conferences all over the world on a fairly consistent basis. I have not been for over 7 years. What I can recall about going is the sense of community it builds. And the energy and ideas and possibilities it fosters. But they're expensive and take time away from work. So for any number of reasons at this point in my career I have not been able to attend any of these. With one exception. NEOCON. As I have stated in a previous post, NEOCON is the SuperBowl to me. It's also free, and in my backyard, so it's very doable. I absolutely love furniture design. Contract and residential, and for that, nothing beats NEOCON. So I'm at NEOCON today. A kid in the candy shop.

Here's my previous post about NEOCON, and a slight rant about one of my favorite all time graphic designers, Alvin Lustig.

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Tuesday, May 22, 2007

Neocon, Alvin Lustig, and a Design Realization

Neocon is just another furniture show to many. But to me, it's the Superbowl of design. Something I look forward to for months ahead of time. It's an experience that for me is way more valuable than any other design show in terms of charging my creative batteries. And for those who know me, being creative is not generally one of my deficit areas. But something's different about Neocon.

It inspires in a totally unique way. I see colors. Shapes. Materials. Applications. Human enthusiasm and possibility. Execution and good old fashion trade sales. Real ideas being pitched and sold for real money. Not just great ideas, but great ideas with legs. Ideas that are going places. Ideas with schedules and agendas. You get the idea. Rubber meets the road, if you will.


Anyway, in my weekly design group meeting today I spoke to the team about my enthusiasm and perspective regarding the show. I recently received approval from my supervisor to take the whole commercial design team to Neocon so they too can experience this magnificent event. Shortly after discussing this but in the same meeting designer Alvin Lustig came up, as I referenced having posted about him in an article in BarryBlog just the day before.
Out of both discussions came a vivid realization regarding the value of design.

As I thought of going to Neocon, I pictured myself back in time and walking the show with Alvin. As we walked together, his presence was felt everywhere. Why? Well, Alvin designed the timeless furniture in the Knoll booth– a tradeshow booth he himself also designed. Continuing further through the Merchandise Mart we notice the catalogs, advertising and collateral pieces being handed out at the show, that as it turns out, he too conceptualized, designed and produced. As mid day approaches and we begin to consider lunch, we're guided to the food court area by Lustig's comprehensive signage system. Pretty much anywhere you look, you see his design influence.
One person with such an over arching perspective and skillset, in addition to the ability to think big.

One other important factor in Lustig's sucess was the fact that he was often hired by clients who trusted him, and by trust I mean the fairly rare kind of trust where the client has the confidence to step back, and to step away from preconception. A client who has a vision for something bigger than themselves. A vision so big not any designer could accomplish it. This is part of why he was so successful, aside for a tremendous intellect, drive and talent.
If clients really want their result to have, well, results, they will get out of the way of strategic thinkers and innovators and let them do what they are gifted to do. Any designer can conduct themselves in a karaoke type of service to the end product, but only when a client trusts a designer can true innovation and break through work actually take shape with true voice.

I literally had a dream about Neocon the other night. This from a person who barely ever dreams. But it's people like Alvin Lustig who lead the way with projects that not only get results, but inspire. To dream. To build. To take the bar a notch higher. And who in the end serve the entire process best through genuine creativity, guts, big picture thinking and ultimately value to a companies' bottom line.


See ya' at Neocon. June 12. I can't wait.

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Born Modern: Master Designer Alvin Lustig

Considering his amazing but short career, Alvin Lustig has indeed earned his master status in the world of design, and his design legacy lives on. He was a book designer. Graphic designer. Interior designer. Furniture designer. Retail store designer. Exhibition designer. Signage designer. Textile designer. Teacher. Spend some time at alvinlustig.org and learn from a true master. You can find a brilliant article by Steven Heller about Lustig called "Born Modern" here, or at the AIGA Medalist site. The AIGA medalist is given to "the most distinguished in the field, awarded to individuals in recognition of their exceptional achievements, services or other contributions to the field of graphic design and visual communication." When you visit either Lustig's site or the Medalist site, you'll see why he is considered a master. His work for Knoll furniture is what caught my attention many years ago, but equally as amazing is this signage system for Northland Shopping Mall in Detroit..

By the time he died at the age of forty in 1955, he had already introduced principles of Modern art to graphic design that have had a long-term influence on contemporary practice. He was in the vanguard of a relatively small group who fervently, indeed religiously, believed in the curative power of good design when applied to all aspects of American life.
– “Born Modern” by Steven Heller
( via That's Right)

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