// BarryBlog //

A creative dumping ground for issues that interest me personally and professionally, with the thought they may interest you too. Issues such as the business of design, the design of business, the design of objects, design strategy, creative direction, innovation, creativity, thought leadership, observations, as well as recommendations, mid-century modern decorative arts and architecture, and the state of my thinking (and currently the state of my heart).

Saturday, November 07, 2009

French Provencal Louis XV Lovliness

December 09 UPDATE: After discussing this furniture with Christie's, Wright20, and several other auction houses and furniture dealers, though you can't fault me for trying and spending significant time doing so, you can begin laughing at me. This stuff is of value, but not as valuable as I had thought. The exception being the bedroom stuff, which has generated a great deal of collector and auction house interest. So head into Jubilee this weekend and some of it will be priced.

Jubilee Furniture just got a donation beyond anything they've ever seen. I'm a mid century modern furniture and decorative arts collector, and although French Provencal Louis XV style furniture is like a foreign language to me, it does not take a genius to understand how special this donation really is.

So I spent several hours taking photos (as I have done several times in the past) of this amazing furniture on Saturday afternoon. Love taking photos, I love everyone at Jubilee, and I love furniture (especially Time Life Chairs by Charles Eames for Herman Miller), so this was a great day.

I am currently in the process of communicating with a few choice auction houses for their assistance. If you can help me identify these pieces, I and Jubilee would really appreciate it.

While I was at Jubilee I shot several more pieces from their very stocked showroom. Below are both galleries.

Get the flash player here: http://www.adobe.com/flashplayer

Get the flash player here: http://www.adobe.com/flashplayer

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Tuesday, December 09, 2008

History Repeating Itself? Banknotes by Herbert Bayer.

Finances reigned in as a result of a botched adoption, the global financial meltdown, and a permanent condition of frugality, I will admit that I have not had the pleasure of buying anything from eBay for quite some time. Even if the economy were at full throttle, some of the amazing items listed at eBay seller room-606 would be beyond my reach. But that has in no way stopped me from perusing his droolable items of rare mid-century modern design history.

In my estimation, eBay seller Matthew at room_606 is one of the premier sellers of 20th century decorative arts and design. Randall Ross of Modernism101 online and on eBay, who I have mentioned before, is also a treasure trove of history and one-off design wonders who I enjoy every bit as much when I am in the mood to learn, and maybe someday buy (or trade as he has so generously offered). If I'm not drooling and learning from Randall, I go to room_606, who as he puts it, "sells everything from art nouveau, art deco, the Modern Movement and beyond. Expect quality pieces by Christopher Dresser, the Wiener Werkstatte, the Bauhaus designers, Charles and Ray Eames and Alvar Aalto among others."

Right at the very moment of this post, room_606 has a full set of six super rare Emergency Million Mark banknotes for the Thuringian state government in Weimar, 1923, designed by Herbert Bayer at the Bauhaus. Original Bauhaus typography and a fascinating artefact from a dramatic moment in the history of the last century. These hyper-inflationary bank notes from Weimar Germany, designed by Herbert Bayer at the Bauhaus, comprises all six number and colour variations. The impoverished Weimer Republic government was producing emergency notes - increasingly dramatic denominations - in a desperate attempt to combat acute hyper-inflation.

Boy, does this sound like history may repeating itself here?
Anyway - the asking price for these rare notes? $899.99. A steep price on the surface, but a truly rare item that would be the envy of any Mid-Century design collector and/or history aficionado. Matthew has other amazing items for sale, and I recommend you check out his goods. I also recommend that you wear a bib.

As a believer and someone who tries to model a life in Christ, I realize that material things are of little importance—in this time in history especially, as many people are without basic food and shelter. I wouldn't want this post to come across flippant, unsympathetic or ignorant to the need that has reared it's ugly face, but share this as a way to share a larger picture of the joys surrounding what I and Rob Roy Kelly call "the hunt." It is really satisfying on many fronts, and can be enjoyed by spending little if any money, unless you choose to own some of these objects. Some people spend their money by going out to eat all the time. Some bet on football. Some buy movies or go to a theater. Instead of these things, I research all things mid-century modern and the people who have added significantly to this aesthetic. Through blogging, thrifting and research, I have developed a really special webnet of friends who share in this hobby. A few wonderful folk like Scott. And Dave. And Liz. And Jess. And Steve. And Chris. And Gerson. And Kent. And Stewf here and here, and Chris, and palebear, and many others. They selflessly share of their time and expertise, giving to the collective network of mid-century modern junkies like myself.

In tough financial times, design can be appreciated without spending money. Research, collaborate, share and grow. There's something really intriguing about well designed items from the past. The stories they tell. The history they represent. And the fun they are to pursue.

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Monday, June 30, 2008

Vedder Time-Life and Cassina Le Corbusier LC2

Recently research conducted on one of my Herman Miller Aluminum Group Executive Time-Life chairs uncovered the fact that it was McDonald's Corporation former executive board member B. Blair Vedder, Jr.'s personal Herman Miller office chair. The chair goes by the name Herman Miller Charles Eames Aluminum Group Time Life Executive Work Chair model ES 104 adjustable tilt swivel chair. The chair was formerly in the company's Oakbrook headquarters. I purchased it at a Chicagoland used furniture store. The chair has B. Blair Vedder, Jr.'s chrome nameplate affixed. Vedder was also one of McDonald's close knit group of executives as the COO of McDonald's former agency Needham who developed the slogan "You Deserve A Break Today". It is really rewarding for me and enjoyable to find this type of historic information. I collect for so many reasons. Information like I found on this chair keeps me hunting. Like this weekend when I found an original, likely mid-60's Le Corbusier LC2 chair, camel leather in wonderful original condition, stamped with the architect's name and the serial number 1370. It also has the Cassina Spa manufacturer label (pre-Knoll licensed model), and the Atelier label to boot. More on this in a future post.

Fun.

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Thursday, February 14, 2008

Design Thinking: Herman Miller. Ralph Caplan.

I'll be posting about this in greater detail soon, but for now, I'm realizing that based on the reality of life as I currently know it, the word "soon" could more reasonably end up meaning "never," so take a sneak peek at these incredible in-house, very limited edition publications. They are from Herman Miller Incorporated, and were produced in conjunction with the great design thinker Ralph Caplan, and designed by the legendary John Massey of Container Corporation of America fame. I so admire John's legacy of work and thinking. I inherited these from a former Creative Director I served with while still in Michigan. As I stated in the comments section of an AIGA post recently...I received these in 1988 and still treasure all four of these publications. They were in-house produced articles on four subject matters. ATTENTION. CONNECTION. TENSION. And OMISSION. All four read "some incomplete thoughts with room for improvement, by Ralph Caplan." They played an important role in the fabric of my overall design thinking at a critical time in my design career, one which now spans some 20 years. I will be photographing the interiors, which of course is the important part, when I can. For now, enjoy the eye candy.


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Wednesday, January 23, 2008

Eames Lounge Debut: Arlene Francis Show

Charles Eames in 1956, interviewed on the Arlene Francis' Home show—the precursor to what is known today as the Today Show. Eames was given this prime opportunity to describe and debut his Herman Miller Eames Lounge chair to America for the first time. Major furniture history in the making.

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Thursday, December 06, 2007

Seperated At Birth? Dieter Rams and Apple’s Ive

Nearly every designer knows the name Jonathan Ives of Apple, Inc. But how many know the name Dieter Rams? Thanks to Onur at the great blog tuning slide, I’ve been newly introduced to this great talent.

I’d always heard that Jonathan Ives and his design tendency at Apple to "eliminate the unnecessary" was in some ways influenced by the design created in the mid-1960's at the German manufacturer BRAUN, but never new the face behind it all–Dieter Rams. It's really remarkable to see the similarities between Dieter’s work back then and the iconic Apple approach now. See here and here for two great examples.


I’ve been influenced by a great many people in my career as well. While I’ve never worked for a well known design company, I have worked with some incredible talents and have followed the work of many designers through the years. So I guess it should come as no big surprise that Jonathan Ives has been influenced by others as well.
In discovering the similarity in design approach between Dieter and Ives, I find it quite exciting to look back nearly fifty years to shed some light on what was being considered back then in terms of design. In my research I found a quote from Dieter describing what was different back then. It really hit home for me. He stated...

At Braun they were always willing to take a risk - nobody could tell you if a product would become successful. We as designers cannot work in a vacuum. The entrepreneur has to want it; the people at the top of the company have to want it…What’s missing today is that these kind of entrepreneurs are no longer there. Today there is only Apple and to a lesser extent Sony, but not to the same degree as was the case with Olivetti and BRAUN, or Peter Behrens at AEG, or Herman Miller and Charles Eames, Florence Knoll with Saarinen and so on. These kinds of connections are missing today
Apparently I’m a bit late in the game here, and a lot of blogs have already discussed this very comparison between BRAUN and Apple design before. If you find this as interesting as I do, here are a couple more resources.

designboom’s take on the subject
37signals take
DesignMuseum article
The complete tuning slide post
Erik Spiekermann on the BRAUN Apple
37signals post on Ives

One more thing... Here's another forward thinking quote from the 1960’s by Dieter Rams...

Good design is innovative. Good design makes a product useful. Good design is aesthetic. Good design helps us to understand a product. Good design is unobtrusive. Good design is honest. Good design is durable. Good design is consequent to the last detail. Good design is concerned with the environment. Good design is as little design as possible. Back to purity, back to simplicity.
Who was forward thinking enough over 40 years ago to suggest a concern for the environment? Wow.

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Saturday, September 22, 2007

Design is connections, connections, connections

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Wednesday, October 11, 2006

Eames Office Films: Powers of Ten

DEAD: The Simpson's take and the original Eames film are no longer available.
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The relative size of the universe from a Chicago vantage point, brought to you by designers Ray and Charles Eames (and you thought great designers just make pretty pictures)!


And then the Simpsons take.

( via Land+Living )

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